Thursday, July 24, 2008
The Night Is Darkest Before Dawn: "The Dark Knight's" Full On Cultural Moment
"The Dark Knight" has already grossed over $222 million in six days. It has smashed every record in the books. Biggest opening weekend ever. Fastest movie to $200 million. Biggest first five days in release ever. Biggest six days in release ever. It nearly broke the record for biggest single Wednesday gross of all time, missing "Men In Black II's" mark of $18,599,621 by a mere few hundred thousand dollars. And "MIBII" opened on a Wednesday, while "Dark Knight" has been out for almost a week.
The weekday grosses are out of control... $24 million on a Monday, another $20 million on Tuesday, and just over $18 million on a Wednesday. Any of these marks are great OPENING DAY numbers.
IMAX screenings in both New York and LA are sold out solid through the week and weekend, and might not be available for about two weeks. People are still lining up around the block for their fix of the movie, and it's currently rated as the number one movie of all time as rated by IMDB users.
Batman, ladies and gentlemen, is officially "bigger than Jesus."
"The Dark Knight" is experiencing a full on cultural moment that no film has enjoyed since at least "The Passion." That movie made a ton of money and got everyone talking and debating, but as many people were talking about the film to criticize its supposedly stereotypical depiction of Jews, over reliance on violence, and writer/ director/ former superstar Mel Gibson's bizarre behavior as people who actually liked and were moved by the film. "Star Wars: Episode 1: The Phantom Menace" (why didn't we realize how bad it was going to be based on the fucking title nine years ago,) was the only thing the media could talk about before its release, and if 9/11 had happened the same weekend that "Star Wars" had come out, it still probably would have been given less coverage due to Jedi hype. But then the movie sucked, and everyone still saw it and talked about it, but "Dark Knight" will probably surpass that movie's gross in a week or two. No, you have to look back to "Titanic" and "Jurassic Park" for movies that really got audience's blood pumping and talking. Everywhere I go, people are buzzing about Batman.
I haven't seen the country so behind a movie in a long while. And a truly dark and disturbing one at that. I felt like this kind of thing was dead, now that there are so many screens showing the same movie ("Dark Knight" played on a record number of screens, yet tickets were still scarce everyhwhere this past weekend,) and so many people are buying their tickets online (myself included.) So what's the deal behind this amazing cultural moment?
THE HEATH FACTOR
Clearly, Heath Ledger's tragic death before the movie's release created more interest in the film, and tons of free media coverage, than the studio ever expected. And the fact that people have been talking about his work as The Joker and buzzing about a possible (and richly deserved) posthumous Oscar nomination drove curiosity through the roof. The fact that his last film was a big mainstream movie as well helped a lot... if "Brokeback Mountain" had been Ledger's final film, it's not as if middle America would have lined up to see him play a gay cowboy. But Heath's remarkable performance isn't enough to explain the film's unrelenting success. There's more to "Dark Knight's" appeal than morbid curiosity.
EVERYONE LOVES BATMAN
My geeky friends and I are not the only people who love Batman. Everyone loves The Caped Crusader. He's arguably the most popular super hero in existence... Spidey has always been huge, and who doesn't know Superman, but Batsy might, at this point, be the best known and loved hero of them all. But why didn't "Begins" make more when it came out, you ask?
BATMAN BEGINS REDEEMED THE CHARACTER
Love of Batman fails to explain why "Dark Knight" did three times the business that "Batman Begins" did three summers ago during its opening weekend. The problem was, pre "Begins," Batman movies had fallen on hard times. "Batman and Robin," Joel Schumacher's abortion of the franchise, is considered by many to be one of the worst movies of all time (in a hilariously bad way... Ahnuld's Mr. Freeze is unbelievable to behold, making him possibly the second most memorable big screen Bat-baddie... just for all the wrong reasons.) So even though "Batman Begins" made less than "Dark Knight" has already grossed in just six days, it was a well liked movie, and people who didn't see it in theaters saw it on DVD, getting them pumped and primed for the next one. I think that non film people were a bit confused and put off by the series relaunch, and still had bad taste in their mouths from "B and R." Only the true fan boys understood that Nolan was attempting to redeem the character and franchise.
PLAYING THE JOKER CARD
Even subtracting the Ledger factor, Joker vs Batman might be the most well known villain/ hero standoff in the history of the genre. Bringing The Joker in to the second film was a total master stroke, especially when Nolan teased the audience with the reveal that he would appear in "Dark Knight..." in the very last scene of "Begins." Because there is nothing more iconic than a clown facing off against a Bat. Or something.
CHRISTIAN BALE
Lost in all the praise that Heath is receiving is Christian Bale's improved performance as Batman/ Bruce Wayne after his already excellent turn in "Begins." People loved his Batman, and everyone was pumped to see him in the role again.
THE VIRAL MARKETING
Another stroke of genius from the studio... for anyone who cared to go down the rabbit hole, WB put out an excellent viral campaign that implied The Joker was effing with everyone on the Internet, sending fanboys into a frenzy that infected other, non geeks who just like Batman. That's why they call it "viral," I guess.
IT'S A GREAT FUCKING MOVIE, DAWG
"DK" is unequivocally fucking great. The movie is epic, dark, legitimately terrifying, intelligent, and fucking kick ass. Every time I've seen it (two and a half and counting,) the movie plays the audience like a fiddle, the tension rising at the scary sections, the nervous laughter filled the theater with all of the Joker's scary/ funny antics, and people cheered at the end (and many teared up a bit, including, ahem, myself.) People are talking about the movie after they see it. They're discussing its themes, ideas, moments that disturbed them, and yeah, the awesome scene where Batman on a motorcycle faces down the Joker in a truck. It's the most ambitious summer blockbuster ever made, and it goes way beyond the type of fun yet disposable entertainment we usually get when the weather gets hot. This is a honest to God great movie, with Batman at the center of it.
This is a legitimately exciting time to be a fan of Batman and movies in general. I'm going to stop writing now, because I want to get out of here and jump in line to see it again, talk about it more, and just be part of this undeniable cultural phenomenon.
James Cameron is probably feeling a little nervous right now about the Caped Crusader catching a certain ship in the next few months.
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